![]() ![]() The input selection features two balanced Neutrik XLR and four unbalanced RCA options (one is configurable to phono if the MM/MC module is installed, and Input 3 can be assigned as a HT pass-through) while outputs include a +12dB subwoofer output (can also be used to connect an additional power amplifier) and tape out. The connectivity count on the rear panel will allow for any system configuration. ![]() The original Diablo was considered by many to be the high-end integrated amplifier. The Diablo 300’s heritage harks back to the first high-end integrateds seen in the industry, with a pedigree stemming from a multi-award-winning lineage. In the case of the Diablo 300, Gryphon offers high quality MM/MC phono and multi-input digital stage (DAC) modules which can be ordered in situ or purchased at a later date, as funds allow. The real clever designs, like our review subject here, the spanking-new Gryphon Diablo 300, features slots that accept the added functionality of optional modules. ![]() Further duties have been allotted in order to simplify the signal chain and minimise the box count with a growing number of models now sporting built-in digital-to-analogue converters and high quality phono stages. That purist approach is enduringly valid however, in the 21st century the humble ‘integrated’ has developed multi-tasking skills. The traditional approach to the integrated amplifier has been to combine a line signal switching stage with level control and an amplification stage. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |